
Warehouse theaters generally don’t attract top social influencers and connectors to their openings. Yet the premiere of
Michael Mitchell’s “Still Fountains” sprinkled representatives from real estate, banking and politics with legates from philanthropy, arts, education, fine dining and media. Of course, it helped that political activist, teacher and social entrepreneur
Eugene Sepulveda and playwright, teacher, coach and consultant
Steven Tomlinson made their debuts as producers of Mitchell’s two one-act plays.
Douglas Taylor, Michael Mitchell
The pairing of his traditional playlets — in the
Tennessee Williams mode — with experimental director
Katie Pearl might have proved infelicitous, but the actors raved about ...